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My Piano Teacher, Howard Lebow

Sunday, January 26, 2020 by Mary O'Connor | pianists

 

Time Magazine Milestones: Jan. 26, 1968

Died. Howard Lebow, 32, U.S. concert pianist; of injuries suffered in an automobile accident; in Amherst, Mass. One of the youngest and most promising of U.S. pianists, Lebow toured 15 countries after his 1963 Manhattan solo debut, played the works of such modern composers as Edward Levy and Erich Kahn with an adventurousness that sometimes startled the critics but more often won their applause .


Howard Lebow The University of Massachusetts Department of Music has established a trust fund for scholarships to assist both graduate and undergraduate music students in memory of the late Howard M. Lebow, professor of piano and concert artist whose untimely death in an automobile accident in January cut short a brilliant musical career. The scholarships will be awarded to students, selected by a special music committee, who demonstrate musical potential according to the ideals and standards of excellence that Lebow set for himself and for his students.

Lebow was graduated from the Juilliard School of Music in 1957, received his master's degree in 1959, and was the winner of the school ' s highest pianistic honor, the Morris Loeb Memorial Prize. He studied at the State Academy of Music in Hamburg, Germany; the International Institute for New Music in Darmstadt, Germany; and the Mozarteum Summer Academy in Salzburg, Austria.

He studied under Edward Steuermann, a pupil of composer Ferruccio Busoni, and became well-known for his performances of Busoni ' s works. Lebow came to the University of Massachusetts in 1965 to assume his position as Assistant Professor of Piano. Internationally acclaimed as a remarkable pianist by music critics, Lebow was widely recognized as having a faultless technique, a richly varied touch, and a distinctive feeling for style. " It is only Lebow, " said the Darmstaedter Echo, " who puts every fiber of his body and soul into the keys and truly performs with the utmost clarity, transparentness and plasticity. " Dr. Philip Bezanson, head of the department said, " The music department feels this memorial fund is a most fitting way to perpetuate the memory of Howard Lebow. He was actively interested in trying to develop scholarships for the music department. Because of his genuine interest in talented students it is most fitting that talented students should continue to receive help in his name. "

~~~~~~~~

Howard Miles Lebow was an accomplished concert pianist and composer who was first celebrated during his tenure as a student at Julliard School of Music where he earned both his BA and MFA. While at Julliard, Lebow studied under Edward Steuermann, a pupil of composer Ferruccio Busoni, and was acclaimed for his performances of Busoni’s works. Lebow exceled as a pianist, performing in fifteen countries across Europe and the Americas. Appointed to the post of Assistant Professor of Piano at the University of Massachusetts in September 1965, Lebow lectured and performed until his untimely death in 1968 at age 32. Although known for his interpretations of contemporary music, Lebow was equally at home in the entire piano literature; one of his last and most memorable recitals was devoted to the music of Franz Liszt, another artist whom he had studied and whom he greatly admired. After his death, the Howard M. Lebow Scholarship Fund was established (1968).

http://www.nyyouthsymphony.org/concerts/1964-1965/orchestra/spring-concert


Howard Lebow

The University of Massachusetts Department of
Music has established a trust fund for
scholarships to assist both graduate and
undergraduate music students in memory of
the late Howard M. Lebow, professor of piano
and concert artist whose untimely death in an
automobile accident in January cut short a
brilliant musical career. The scholarships
will be awarded to students, selected by a
special music committee, who demonstrate
musical potential according to the ideals
and standards of excellence that Lebow set
for himself and for his students.

Lebow was graduated from the Juilliard School
of Music in 1957, received his master's
degree in 1959, and was the winner of the
school's highest pianistic honor, the
Morris Loeb Memorial Prize. He studied at
the State Academy of Music in Hamburg,
Germany; the International Institute for New
Music in Darmstadt, Germany; and the
Mozarteum Summer Academy in Salzburg, Austria.
He studied under Edward Steuermann, a pupil
of composer Ferruccio Busoni, and became
well-known for his performances of Busoni's
works.

Lebow came to the University of Massachusetts
in 1965 to assume his position as Assistant
Professor of Piano.

Internationally acclaimed as a remarkable
pianist by music critics, Lebow was widely
recognized as having a faultless technique,
a richly varied touch, and a distinctive
feeling for style. "It is only Lebow," said
the Darmstaedter Echo, "who puts every fiber
of his body and soul into the keys and truly
performs with the utmost clarity,
transparentness and plasticity."

Dr. Philip Bezanson, head of the department said, "The music department feels this memorial fund is a most fitting way to perpetuate the memory of Howard Lebow. He was actively interested in trying to develop scholarships for the music department. Because of his genuine interest in talented students it is most fitting that talented students should continue to receive help in his name."

https://archive.org/stream/index1968univ/index1968univ_djvu.txt

 

http://scua.library.umass.edu/umarmot/lebow-howard/

 

 

Howard Lebow was my piano teacher my freshman year at UMass.  I was devastated over Christmas break to learn that he had died in a car crash.  He had been walking on campus and was hit by a driver. :(

National Compliment Day

Friday, January 24, 2020 by Mary O'Connor | holiday

compliment

 

National Compliment Day.  Give an extra compliment on National Compliment Day which is observed annually on January 24. A compliment has a powerful effect. It can instill confidence in a child, or validate someone's hard work.

The OCMS has sticker pages you can put in your student's music or notebooks to remind him or her how well you think they're doing.

Always find something to praise in your student's practice and playing.  You'll see that it makes a world of difference.

 

Hanon Piano Exercises

Monday, January 20, 2020 by Mary O'Connor | technique,

  hanon 


Since the first release of this classic Schirmer edition over 100 years ago, almost anyone who has taken piano lessons for more than two years has played from The Virtuoso Pianist.


Most anyone who has ever played piano has a love-hate relationship with the "Hanon".

The Virtuoso Pianist (Le Pianiste virtuose ) by Charles-Louis Hanon, is a compilation of sixty exercises meant to train the pianist in speed, precision, agility, and strength of all of the fingers and flexibility in the wrists.

First published in Boulogne, in 1873, The Virtuoso Pianist is Hanon's most well-known work, and is still widely used by piano instructors and pupils although some teachers are getting away from the mechanical playing these can produce.

Personally, I've sometimes played these on "auto-pilot" since all one really needs is to get the first pattern going, then move up a step, up a step...

hanon1



Notes by C. L. Hanon: Preparatory exercises for the Acquirement of Agility, Independence, Strength and Perfect Evenness in the Fingers. For studying the 20 exercises, begin with the metronome set at 60, gradually increasing the speed up to 108.

From Wikipedia:

The exercises are intended to address common problems which could hamper the performance abilities of a student. These include "crossing of the thumb", strengthening of the fourth and fifth fingers, and quadruple- and triple-trills.

The exercises are meant to be individually mastered and then played consecutively in the sections they are placed in.

Apart from increasing technical abilities of the student, when played in groups at higher speeds, the exercises will also help to increase endurance. The exercises are divided in three parts:

  1. Exercises 1 - 20: Labeled "preparatory exercises", these are also the most famous exercises, and are used to develop finger strength and independence. Each exercise contains a sequence of 8 semiquavers, beginning on C, which is then repeated starting on D, and so on across two octaves. The exercise is then repeated in reverse down two octaves to the starting C. The exercises are intended to be practiced in groups of three, except for the first two which are practiced together.
  2. Exercises 21 - 43: Labeled "further exercises for the development of a virtuoso technique." This more difficult section is meant to be played after the pianist has fully mastered Part 1. Part 2 includes scales and arpeggios.
  3. Exercises 44 - 60: Labeled "virtuoso exercises for mastering the greatest technical difficulties." Since this section is considerably more difficult, Hanon recommends the mastery of both previous parts before proceeding to this one. This part includes repeated notes,, and more.

After all three parts are mastered, Hanon recommends all exercises be played through daily to retain technique.

The O'Connor Music Studio has several editions of this work:


Hanon: The Virtuoso Pianist in Sixty Exercises, Complete.  Since the first release of this classic Schirmer edition over 100 years ago, almost anyone who has taken piano lessons for more than two years has played from The Virtuoso Pianist . Millions of copies have been sold of these progressive exercises which guide a player's technique, building finger independence and strength. This was the first American edition released of this music, and remains a classic at a remarkably affordable price.

Junior Hanon (Alfred Masterwork Edition). A slight condensation of Hanon's first exercises. The simplification in layout and range make the exercises appear less difficult to a young student. Includes the complete Book 1 and excerpts from Books 2 & 3 of C. L. Hanon's famous studies, The Virtuoso Pianist in 60 Exercises.

Hanon for Students, Bk 1: 6 Varied Exercises from The Virtuoso Pianist for Late Elementary Pianists. Hanon for Students, Book 1, contains the first six exercises from The Virtuoso Pianist, Book 1. The exercises are notated in eighth notes for one octave so that students may begin to use them effectively at the late-elementary level. Each exercise appears five times to be played with a legato touch, varied articulation, varied dynamics, varied rhythm, and transposed to F or G.

Jazz Hanon. Inspired by Charles-Louis Hanon's The Virtuoso Pianist the essential technical method for any classical player these new volumes present a modern-day equivalent for the musician seeking to play the key piano styles of the 20th century. Each book develops basic technique and true facility in each genre through authentic, progressive exercises and etudes. The music in these books is fun to play for pianists at every level, building the necessary skills in each style while providing extensive musical and stylistic insight.