Van Cliburn, American Classical Pianist
Wednesday, February 27, 2019 by Mary O'Connor | pianists
Van Cliburn was just a pianist much the way Neil Armstrong was merely an astronaut. Simply put, the tall Texan's musical talent and successes were out of this world.
Cliburn, who died Wednesday February 27, 2013 at age 78 at his Fort Worth home due to complications from bone cancer, was 23 when he strode into Moscow for the inaugural International Tchaikovsky Competition, created to showcase Soviet cultural superiority.
Playing with unerring precision and sublime emotion, he took the top prize and was given a ticker-tape parade in Manhattan, the first and last time a pianist won such an honor.
"Imagine galvanizing the attention of the entire world in the pre-Internet, pre-global TV year of 1958," says Howard Reich, who got to know the Texas-based pianist while researching his 1993 biography, Van Cliburn. "As a Texan, he was so emblematic of the United States. But the Russians fell in love with his romanticism."
In many ways, however, that seminal performance both made his name and sealed his fate.
The pieces that won him the competition — Tchaikovsky's Piano Concerto No. 1 and Rachmaninoff's Piano Concerto No. 3 — sold countless records (his Tchaikovsky No. 1 was the first classical record to sell more than a million copies) and became required concert staples.
"Playing on that treadmill for the next 20 years led him to burn out, and by 1978 he looked terrible and bowed out of public life," says Reich. "He was a gentle soul, and that harsh public spotlight had a negative effect on him."
It would be nine years before Cliburn performed again, at the White House for Ronald Reagan and Soviet premier Mikhail Gorbachev. Although he made occasional appearances in the following decades, he spent most of his time overseeing his foundation and a quadrennial competition that bears his name.
"I can't think of anyone who has done more to help promote the instrument and young performers than Van," says Cliburn's friend Yoheved Kaplinsky, chairman of the piano department at New York's Juilliard School of Music, which Cliburn attended. "He was an icon in Fort Worth, and a person of great humility."
Born Harvey Lavan Cliburn Jr. in Shreveport, La., Cliburn started piano lessons at age 3 and immediately showed prowess under the watchful eye of his mother, who had trained on the instrument under a teacher who had studied with Franz Liszt.
After moving to Texas, Cliburn played with Houston's symphony at age 12, and at 17 entered Juilliard. At 20, he performed with the New York Philharmonic at Carnegie Hall, setting the stage for his triumphant coup in Russia.
No one can imagine a ticker-tape parade for a pianist in this era, but in Cliburn's heyday he was as much an inevitable cultural icon as he was a reluctant political figure. In the late '50s, the Cold War was raging, the Beatles were still practicing and classical music still held sway.
But what truly made Cliburn unique was the humble ease with which he went about seducing the alleged enemy.
"Van marched in full of the musical values of the Old World, full of tremendous sincerity and with a remarkable ability to connect with audiences," says Kaplinsky. "He may have transcended the boundaries of the art world and breached into the political world, but foremost Van was a consummate artist."
That artistry is on display in various YouTube clips of Cliburn reprising his competition-winning form in Moscow in 1962. The pianist's eyes are often closed as massive hands fly across the length of the keyboard. Utterly lost in the music, Cliburn seems almost oblivious to his audience.
"He had more of everything," says Reich. "More height, more smiles, more sweep on the piano."
In his later years, Cliburn collected the usual array of awards accorded cultural heroes. A Kennedy Center Honors tribute in 2001, a Presidential Medal of Freedom in 2003, and in 2004 Russia's equivalent, the Russian Order of Friendship. In 2004, there was a predictable Grammy Lifetime Achievement Award, and in 1994 a less-expected guest appearance as himself in the TV cartoon Iron Man.
On the personal front, Cliburn was a devout Baptist but also quietly gay; in the late '90s, his longtime partner, Thomas Zaremba, unsuccessfully sued the pianist over compensation claims.
Ultimately, Cliburn will be remembered not just as a performer of startling skill, but also as a global cultural sensation in the age of shortwave radio.
"He did something that no one could have ever imagined back then," says Reich. "He was ubiquitous."
Adapted from USA Today
Pianist Nuria Planas-Vilanova In Concert!
Friday, February 22, 2019 by Mary O'Connor | local event
Jordan Kitt's Music is proud to host a solo piano recital by pianist and Jordan Kitt's Music School teaching specialist Nuria Planas-Vilanova in the recital hall in Fairfax, Virginia.
Núria was born in Barcelona, Spain and began learning music theory and piano at a young age. She studied both at the Conservatori Municipal Superior de Musica de Barcelona for ten years.
She also studied piano in Germany with Stanislav Rosenberg for an additional four years. Since moving to the United States she has continued her classical piano studies with renowned Russian pianist Nikita Fitenko. Núria competed in her first Washington International Piano Festival Competition in 2017, and looks forward to competing again in 2019.
Nuria is currently welcoming new students to the Fairfax teaching studio.
Her repertoire for the concert will include works by Chopin, Debussy, Schubert and Scriabin. The concert is free but seating is limited, so reserve your space now or call 703-573-6070 for more information.
Sun Feb 24, 2019 at 2:00 PMFairfax Showroom
8500 Lee Highway
Fairfax, VA 22031
Happy Birthday, Carl Czerny!
Thursday, February 21, 2019 by Mary O'Connor | composers
1791 ~ Carl Czerny, Austrian pianist
composer whose vast musical production amounted to over a thousand works.
His books of studies for the piano are still widely used in piano teaching.
More information on Czerny
At the age of fifteen, Czerny began a very successful teaching career. Basing his method on the teaching of Beethoven and Muzio Clementi, Czerny taught up to twelve lessons a day in the homes of Viennese nobility.
His 'star' pupils included Theodor Döhler, Stephen Heller, Sigismond Thalberg, Leopoldine Blahetka and Ninette de Belleville
1819, the father of Franz Liszt brought his son to Czerny.
Liszt became Czerny's most famous pupil. He trained the child with the works of Beethoven, Clementi, Ignaz Moscheles and Johann Sebastian Bach. The Liszt family lived in the same street in Vienna as Czerny, who was so impressed by the boy that he taught him free of charge. Liszt was later to repay this confidence by introducing the music of Czerny at many of his Paris recitals.
Shortly before Liszt's Vienna concert of 13 April 1823 (his final concert of that season), Czerny arranged, with some difficulty (as Beethoven increasingly disliked child prodigies) the introduction of Liszt to Beethoven. Beethoven was sufficiently impressed with the young Liszt to give him a kiss on the forehead. Liszt remained close to Czerny, and in 1852 his Études d'exécution
published with a dedication to Czerny.